The Asmat area is divided into four major zones based on art style: Northwest Asmat, Central Asmat (Citak Mitak tribe to the East), Braza river in the Northeast and around Senggo & Dairam rivers.  The Asmat woodcarvings are considered to be among the World’s finest. Asmat carving was inextricably connected with the spirit world

The Asmat area is divided into four major zones based on art style: Northwest Asmat, Central Asmat (Citak Mitak tribe to the East), Braza river in the Northeast and around Senggo & Dairam rivers.  The Asmat woodcarvings are considered to be among the World’s finest. Asmat carving was inextricably connected with the spirit world.

Woodcarving always produced in a ritual context and served as powerful materializations of ancestral and other spirit. Carvings were often named for them who recently died for serving to remind their owners that vengeance was still not served.

The carving can not be principally considered aesthetic object. Recently there are some carvers do not know or understand all the hidden meaning in their work. Their skill is directed as much by tradition as by a quest for beauty. For Asmat arts are the outward expression of ancient beliefs and custom. Every Asmat male is a carver in his own right, but the prestigious title of “wow ipit” is bestowed on only the greatest among them. These master carvers are commissioned by the villagers to undertake special carving such as ancestral poles